Affichage des articles dont le libellé est Riley Lee. Afficher tous les articles
Affichage des articles dont le libellé est Riley Lee. Afficher tous les articles

dimanche 19 juillet 2009

Oriental Sunrise - Riley Lee


Oriental Sunrise - Riley Lee
Centuries of advancements in musical instruments have bypassed the traditional shakuhachi flute, an ancient instrument formed from bamboo root and equipped with just five finger holes. Its tender, ethereal tone thus remains essentially unaltered since its distant origins in Japan, and in the hands of a master player such as Riley Lee, an Australian, it sings to our spirits with a graceful gentleness that seems just beyond the reach of modern instruments. Lee here performs a series of duets with a koto, a stringed instrument with a harp- or zither-like character (performed by a trio of players), evoking moods of serenity and calm, carrying away your concerns on the receding mists of a golden dawn. Sweet, not shrill, Lee's gentle playing (accented by the sounds of surf at the disc's opening and close) is easily accessible to Western ears and is well-suited for meditation and massage. The combined run time of the disc's four tracks exceeds 56 minutes.

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samedi 27 décembre 2008

Satori (Music For Yoga And Meditation) - Riley Lee


Satori (Music For Yoga And Meditation) - Riley Lee
Riley Lee is one of the Western world's leading experts and artists on the shakuhachi, an ancient Japanese flute. In the new millennium, there are several artists performing on ritualistic instruments like the Tibetan singing bowls and bells, the didgeridoo, cedar flutes, pan pipes, and the shakuhachi. Only a handful of artists were creating music in this style. Gabriel Lee - no relation - accompanies Riley on the koto, a 13-string Japanese zither. This is remarkable acoustic ambience. The shakuhachi has a distinct texture and the atmospheres are unique, although there is a vague similarity to the texture of a Native American flute..

The CD's liner notes define satori as "the indescribable experience of sudden, intuitive spiritual realization." That may be, yet unless you are a serious student of yoga or a fan of its ancient musical traditions, you may struggle to reach such a state while listening to these improvisations for shakuhachi flute and koto. Satori, originally recorded in 1983, seems best suited to serious - minded yoga practitioners and those who prefer to adorn their meditative states with only the most minimal of audio embellishments. For such people, this disc could be the answer to prayers...

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jeudi 2 octobre 2008

Buddha's Dream - Riley Lee

Buddha's Dream - Riley Lee
Like the instrument he plays, the centuries-old shakuhachi flute, Riley Lee has found he has staying power. Lee, an Australian esteemed as a dai shihan (grand master) of the traditional Japanese instrument, found his first audience in the alternative-health community during the 1980s, when cassettes of his unhurried explorations of the shakuhachi's broad expressive palette became popular items. Narada has periodically reissued these evocative works on CD and, considering how the pace of life has intensified since the music's original release dates, the soothing, ancient wind that blows through Lee's shakuhachi seems more welcomed and therapeutic than ever. Buddha's Dream was first released in 1984, and the ethereal expositions found on it--as hokey as this may sound to the unconverted--effectively encourage states of introspection and stillness that are a balm to the body and spirit. Broken into shorter segments than the prolonged improvisations found on such jewels as Sanctuary and Oriental Sunrise, Buddha's Dream at times involves more notes and occasionally conveys a stronger hint of mystery than is found on either of those lovely discs. Still, the same sweetness and gentle spirit radiates in pieces such as "Return of the Fisherman," "Seabreezes," and "As the Water Flows." A splendid choice as an audio backdrop for mediation or massage.
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lundi 15 septembre 2008

Music for Zen Meditation - Riley Lee


Music for Zen Meditation by Riley Lee spins drifting melodies that fill a room with silence as much as sound. With titles like "Sea Breeze" and "Serenity Flows," the songs reflect nature's stillness, melodies mimicking the gentle rhythms of nature.

The soft tone, more glimpses than tune, is written to carry us towards our centers. A dai shihan, or grandmaster, of the ancient shakuhachi flute tradition, Lee guides us deeper and deeper into ourselves. He embraces the essence of zen, exploring it with only his flute for a guide. For centuries, the shakuhachi has been an instrument of zen, as much as seated meditation has. Both are tools to find the center. Playing this flute is a spiritual discipline, referred to as "blowing Zen," suizen. As the artist plays, he, his instrument, and his music all become one. Zen encompasses recognizing the oneness of everything, as it guides the listener into its depths.

For those of us with more secular interests, the music is soft and peaceful, unintrusive. For stretching or for background music, Music for Zen Meditation fills the room with its own serenity. The only sound present is Lee's solitary flute, a single instrument with only five finger holes. Yet it produces a wide range of sound, echoing mournfully and then whispering like wind song. These tones sound far more genuine than the synthesizers and artificial cries of gulls gyrating on today's relaxation tapes.

This double CD collection offers 25 mystical songs, full of soft tones, drawing the listener deeper and deeper into herself. From "In Time Suspended" to "Cascade," the music flows like a mountain stream, still and vibrant. It offers centeredness, oneness and mystery. For in the echo of its silence is music, while each tone contains an orchestra of meaning.

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